{"id":364,"date":"2015-06-16T14:41:06","date_gmt":"2015-06-16T12:41:06","guid":{"rendered":"http:\/\/www.micheleomiccioli.com\/en\/?page_id=364"},"modified":"2023-03-22T15:43:40","modified_gmt":"2023-03-22T14:43:40","slug":"shows-and-events","status":"publish","type":"page","link":"https:\/\/www.micheleomiccioli.com\/en\/shows-and-events\/","title":{"rendered":"Shows and Events"},"content":{"rendered":"

Ephemera Vintage Market<\/strong>, March 10-11, 2023, Palazzo Guazzoni Zaccaria, Cremona, curated by Alberto Zambelli and Roberto Parolini.<\/p>\n

 <\/p>\n

Collective exhibition ‘Genius Loci’<\/strong>, September 2022 \/ February 2023, Annovi Gallery, Sassuolo.<\/p>\n

 <\/p>\n

Arte Padova,<\/strong> November 2021, Stand 222 Enrico Art Suite.<\/p>\n

 <\/p>\n

Parma Art Fair<\/strong>, October 2021, Stand Enrico Art Suite.<\/p>\n

 <\/p>\n

Paviart,<\/strong> September 25-27, 2021, Stand Enrico Art Suite.<\/p>\n

 <\/p>\n

Parma Art Fair<\/strong>, October 3-11, 2020, Stand Enrico Art Suite.<\/p>\n

 <\/p>\n

Art Prize 2019<\/strong> – Cairo Editore. Semifinalist out of about 500 entries with the work ‘Monsterratum’, exhibited at Palazzo Reale, Milan.<\/p>\n

 <\/p>\n

Solo exhibition at the Mole Vanvitelliana<\/strong> in Ancona, Sala Boxe. June 27 to July 4, 2019.<\/p>\n

 <\/p>\n

70th \u2018Accolta dei Quindici\u2019 (\u2018Group of the Fiftheens\u2019), Fano, Corbelli Palace.<\/strong><\/p>\n

In November 2016 he partecipates to this very important artistic gathering into the great ambient of Corbelli Palace, Fano, with three works. A catalogue was printed for the occasion.<\/p>\n

 <\/p>\n

Onorific Mention to the 66\u00b0 International Art and Sculpture \u2018G. B. Salvi\u2019 Award in Sassoferrato. <\/strong><\/p>\n

With these words: \u201cHis capability of using an articulated sign into different modalities reflects a suggestive inner dimension\u201d. Great personalities of the culture are present to the award.<\/p>\n

 <\/p>\n

Solo show within the ‘Aria – The aware house’, by Fabio Signoretti and Cora Fattori, Fano, from September, 16th to 18 2016.<\/strong><\/p>\n

 <\/p>\n

Monteciccardo Convent, ‘Art065’ collective held by Davide Leoni, August 21st – September 25th, 2016.<\/strong><\/p>\n

Four pieces of various sizes and styles, well displayed and seen also by the influent art critic and Ambassador Armando Ginesi. <\/p>\n

 <\/p>\n

Hall of San Michele former church, Fano – ‘In Arte Veritas’ collective by Gilberto Grilli, from April 27th to May, 9th 2016.<\/strong><\/p>\n

Into the marvellous environment ot the San Michele former church in Fano, within a very important collective with names like Mario Schifano, Alberto Lanteri, Fathi Hassan, Cesare Berlingeri, Riccardo Tommasi Ferroni and many others, Omiccioli displays a tryptic of new conception.<\/p>\n

 <\/p>\n

Nurnberg City Hall, \u2018Erhohungen der Oberflache\u2019 (\u2018Revelations from the Surface\u2019) solo exhibition, november 2007<\/em><\/strong><\/p>\n

\n

\n\n\t\n\t\t\n\t\t\t\n\t\t\t\n\t\t<\/a>\n\n\t\t\n\t\t\n\t\t\t\n\t\t\t\n\t\t<\/a>\n\n\t\t\n\t\t\n\t\t\t\n\t\t\t\n\t\t<\/a>\n\n\t\t\n\t\t\n\t\t\t\n\t\t\t\n\t\t<\/a>\n\n\t\t\n\t\t\n\t\t\t\n\t\t\t\n\t\t<\/a>\n\n\t\t\n\t\t\n\t\t\t\n\t\t\t\n\t\t<\/a>\n\n\t\t<\/div>\n\n\n<\/p>\n

In november 2007 Omiccioli exposes at the Rathaus (City Hall) of Nurnberg a series of tematic works, linked to architecture, rappresentation and power, with strong suggestions from Baselitz; the solo show is entitled \u2018Revelations from the Surface\u2019. The italian Consul, the Mayor and numerous elements of the city culture partecipate in the vernissage. We have a number of works, both canvases portraying architectures and densely abstract pens, as well as works on canvas so lyrically abstract, setting the ambivalent nature of Omiccioli\u2019s painting, which pics free suggestions from both approaches.<\/em><\/p>\n

 <\/p>\n

Solo show \u2018LD50\u2019 at the Tullio Ghiandoni Gallery in Fano, 2006<\/em><\/strong><\/p>\n

Collaboration with Tullio Ghiandoni Gallery \u2013 \u2018Reverie\u2019 Gaston Bachelard Study Centre, in 2006. With the supervision by Catia Migliori, Omiccioli holds his first solo show in his hometown, entitled \u2018LD50\u2019. Inks and pens thicken in new symbolisms and the painting starts to find new meanings within the scansion of the canvases.<\/em><\/p>\n

\u2018San Crispino\u2019 2004 Painting Contest in Porto Sant\u2019Elpidio<\/strong><\/em><\/p>\n

Omiccioli exposes only one painting into the Contest of the \u2018San Crispino\u2019 Prize, set by Fernando Calv\u00e0. This works, entitled \u2018Samotracia\u2019 will win the Jury Prize which will allow him to partecipate in the collective \u2018Maestri italiani nella Nuova Europa\u2019 (\u201cItalian Masters into the New Europe\u201d)  at the Merum Gallery of Bratislava, at the presence of the President of the Slovakian Republic.<\/em><\/p>\n

 <\/em><\/p>\n

Solo exhibition at the \u2018La Contea\u2019 Gallery in Fossombrone, february 2003<\/em><\/strong><\/p>\n

With the supervision of Manuela Manuali, the first solo exhibition into the suggestive context of an ancient Palace of the Centre of the town, from 10th to 23rd february 2003. With so many works of expressionist taste, learning from Jean-Michel Basquiat and Roberto Sebastian Matta, the exhibition displays inks, pens and canvases of various sizes.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ephemera Vintage Market, March 10-11, 2023, Palazzo Guazzoni Zaccaria, Cremona, curated by Alberto Zambelli and Roberto Parolini.   Collective exhibition ‘Genius Loci’, September 2022 \/ February 2023, Annovi Gallery, Sassuolo.   Arte Padova, November 2021, Stand 222 Enrico Art Suite.   Parma Art Fair, October 2021, Stand Enrico Art Suite.   Paviart, September 25-27, 2021, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-364","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/pages\/364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/comments?post=364"}],"version-history":[{"count":4,"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/pages\/364\/revisions"}],"predecessor-version":[{"id":909,"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/pages\/364\/revisions\/909"}],"wp:attachment":[{"href":"https:\/\/www.micheleomiccioli.com\/en\/wp-json\/wp\/v2\/media?parent=364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}